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Stacey Kent is the American Songbook idol For a jazz musician, Stacey Kent has had a fairy-tale career. She left New York for grad school in England, then decided to study instead at the Guildhall School of Music. A chance meeting with British saxophone player Jim Tomlinson led to marriage and the idea of singing cabaret at the London Ritz. There she was scouted for an appearance in a film of "Richard III," which led to a record deal, which led to accolades and an invitation to play at Clint Eastwood's 70th birthday party. Kent's delivery is uniquely mesmerizing and seductively powerful in its simplicity. Kent, a South Orange native, is a regular each September at the Oak Room of the Algonquin Hotel in New York. After one show this year, former big band singer Margaret Whiting — famous for first singing "Moonlight in Vermont" and "Baby It's Cold Outside" — stood in line with other well-wishers, took Kent's hand and heaped on the praise. Such adoration is not unusual for Kent, who describes herself as an "accessible" artist. She never leaves home without her laptop because fans e-mail her constantly, and she cherishes these exchanges. "There is nothing as rewarding as signing on to my e-mail and picking up mail from people," she says. Their letters "let me know that the music I'm making touches them in such a personal way." Fans appreciate the way she cleans the patina off old jazz and show tune standards, using a romantic delivery style to showcase their power and originality. She explains her attraction to one of the American Songbook greats: "It's that feeling of excitement when you first meet someone. Even though I'm not the person literally dancing with someone wearing polka dots and moonbeams, it becomes a metaphor for something else." Kent loves the songs she performs, but she's no musical Luddite. "I have no feelings of nostalgia for the 1950s. I love my electronics, my wireless Internet access," she says, laughing. "But a great romantic, evocative song has no time, no place. It's just human. Human emotions do not evolve, and good poetry will always pull at you." |
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